Improv Comedy
This is happening in the moment. There’s
no plan, and it’s so spontaneous it even the people creating it are thrown off
their guard at times! Improvisational comedy, or Improv, as its fans call it,
is a form of theater in which everyone on stage is inventing their lines as
they say them. There is no script; there
is no memorization. Quick-witted performers
have to stay on their toes to deliver hilarious (and sometimes heartbreaking)
lines and time them so that an audience stays on board.
Over the years, I’ve seen some
great shows. One group that I have enjoyed consistently over the years goes by
the unwieldy name of Parallelogramaphonograph (P-Graph for short). They consist in four members – three of whom
are co-owners of the Hideout Theater – and they perform long-form shows that
last around one-and-a-half hours. The
setting and genre are often determined from the beginning; I’ve seen shows ranging
from family photos from the 1950s to Victorian comedies of manners to a Sci-Fi
space movie parody. They study and plan
for the character types, time period, location, and other broad-brush genre
characteristics, but the action and dialogue of the play are completely
improvised.
Another popular style involves a
host who introduces actors to short challenges or scenarios. Maestro is the Hideout Theater’s incarnation
of this, but many people have seen this style of performance on the television
show “Whose Line Is It Anyway?” These
short pieces often involve audience suggestions, and the actors have to
incorporate the audience’s idea while playing a two-headed monsters or
pretending to speak and/or interpret non-sense gibberish. Often there is some method for scoring these
short performances; the judge may gauge audience applause or may use his or her
own preferences to rate the performers.
At the end of this style of show, one performer emerges as the winner,
although I don’t think there are any real prizes; the competition aspect seems
more of a gimmick for the audience.
So, how does improv work? What allows a scene to continue and flourish
rather than slump and die? The
principles known as “Yes, and…” has a lot to do with keeping the momentum of a
scene. This guideline encourages actors to always affirm what the other actors have
stated; improvisers never shoot down ideas, but rather build on what their
collaborators have created. If one actor
says, “Look at this amazing guitar – Jimmi Hendrix played this guitar at
Woodstock!” Don’t kill her mojo by saying, “No it’s not. That’s stupid.” Welcome her suggestion, and add to it. “That’s right – Mr. Hendrix gave it to my
grandmother that very day, and she has had it in our attic ever since! Would you like to play it?” In this way, the
actor moves the action forward and gives the others something to work with to
make the story continue in a creative way.
Voice seems to be a really tricky
piece of Improv, and acting in general.
None of us has a perfectly consistent voice; we change our approach and
our patterns depending on our situation and whom we’re
talking to. However, for a character in
a play, the audience needs to believe that you are one person. The voice needs to be consistent enough to be
convincing. That’s a good reason to be
very cautious when trying to do an accent that is not your own. If you start it but can’t keep it up, the
failure will be very noticeable.
However, improvisers say that
failure is opportunity. They welcome
failure as a lesson in humility and in resilience. Everyone flops on stage sometimes, but the
ones who are able to resurrect the performance are the ones who really amaze an
audience.
Improv comedy can be found at the
Hideout Theater, Cold Towne Theater, Salvage Vanguard Theater, and many other
locations. I highly recommend checking
out a show and trying a class. You will
meet very creative people of all personality types, and you’ll get a chance to
exercise your own creative muscles. It’s
also a great way to get over stage fright or insecurities about speaking with
strangers. I hope you’ll give Improv a
try!
Hi Will! I really enjoyed reading this post. When I read it in class I didn't do it carefully and missed out on many details. Anyways, I am glad I reread it now!
ReplyDeleteImprov has always captured my attention. Back in Venezuela there is a group called Improvisto (you may check out their Facebook page: https://www.facebook.com/ImprovistoVenezuela or follow them on Twitter @improvisto). They started out as clowns basically, but added improvisation to their performances and gave it an amazing twist. I've seen them perform and it is incredible, the way they can come up with these crazy yet perfect lines and followups, they are so creative. For me, it would be a great challenge to join one of these classes, I don't know if I have what it takes (wild imagination, outgoing personality). Nevertheless, I'll be sure to checkout the Hideout's web page for upcoming shows and tickets, I know this is something I would really enjoy. Thank you for telling us all about this awesome activity!!
Thanks for your comment, and I'm excited to investigate more about Improvisto! You definitely have the imagination, and I've been surprised that improvisors are not always the most outgoing people off stage. I think you might really enjoy it!
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